Review: A Town Called Addis ****

Unless you're an afficionado of world music (something The World Festival @ St George's West increasingly makes me want to strive to be), the sounds of modern Ethiopea may have passed you by.

Try not to let Dub Colossus do the same whilst they are in Edinburgh, performing the show based on their album A Town Called Addis, a European World Music Chart-topper. This nine-piece band are astonishingly good, treating you to the full range of styles of music from their part of the world, from Ethiojazz to dub reggae and Afropop, transporting you effortlessly to the sultry and pounding clubs and dancehalls of Addis Ababa.

Vocalists Sintayehu 'Mimi' Zenebe and Tsedenia Gebre-Markos guide you through an excellent set of numbers, each one pulsing with the rhythms, piano and brass of the tight musicians that make up the rest of Dub Colossus, including producer and guitarist Dubulah, ex Transglobal Underground / Temple of Sound. Indeed, the CVs of the band read like a who's who of modern dub & funk, with ex-members of Asian Dub Foundation, Jamiroquai and the Brand New Heavies all now contributing to Dub Colossus' mighty slab of sound. Special mention must also go to Teremage Woretaw, who plays the massinko, a traditional Ethiopean one-stringed instrument throughout.

The venue shines as ever, with the stained-glass window of St George's West providing a mesmerising backdrop to some equally well-staged lighting. As the sounds of Ethiopea fill the hall and Dub Colossus get the whole audience up dancing, the atmosphere is electrifying and you'll carry the Ethiopean mood and vibe with you for some time to come afterwards.

A Town Called Addis runs until Aug 26th at St George's West. Price £12.

The World Festival at St George's West

Last year, The World Festival at St George’s West was an absolute highlight of the Fringe. The brainchild of Toby Gough, it brought an eclectic fusion of top-quality world music to Edinburgh in an explosion of colour, energy and sheer unbridled joie de vivre.

Winning last year’s Scotsman’s Spirit of the Fringe award, The World Festival is back with an equally varied and entertaining cocktail of voices, rhythms and atmosphere rarely seen in Edinburgh – even during Festival time.

Last night’s press preview treated us to short excerpts from all the acts' shows, giving a tantalising taster of the full programme set to run at the beautiful and atmospheric St George’s West venue throughout August.

First up were the the beguiling rhythms and sounds of A Town Called Addis, an Ethiopian ensemble that bring the pumping sounds of Addis Ababa music halls and nightclubs to Edinburgh’s rather more austeure and hallowed halls. Some great sounds from this charismatic nine-piece band definintely made me look forward to seeing the full show next week.

Based on last night’s snippet, Mercy Madonna of Malawi looks set to be the funniest thing at the Fringe this year, bar none. A “black musical comedy” (sic), this is based on Madonna’s much-publicised adoption of Malawian orphans, and not only explores that episode but also the ethical and moral dilemmas and issues behind it. Already stirring up controversy in the national press, this is definitely one to catch.

So what’s funny about it? Well, the loose lyrical interpretations of songs such as “Like A Prayer”, the adult cast dressed in nappies and ‘adopt me’ t-shirts, and Madonna being played by a six-foot tall Malawian male in a blonde wig – and that’s just for starters. Apparently, The World Festival have offered Madonna free tickets to this show, but it has yet to be confirmed if she will attend…

The Creole Choir of Cuba are a 14-strong troupe of Haitian immigrants living in Cuba, who bring their colourful costumes and spellbinding harmonies to Edinburgh after making a big impression at this year’s WOMAD and Big Tent festivals. Drawing on Haitian customs, rituals, religion and culture, the Creole Choir of Cuba must have been working their magic on the hairs on the back of my neck at one point. Stunning stuff.

The young Sri Lankan dancers of Ranganika – Island of Dance stormed the stage next in a riot of colour, percussion and movement. In fact, I don’t think they stood still for one second of their set, faces rapt with joy as they treated us to their cultural music and dance in a display of colour and happiness.

It was left to last year’s hit act, Capoeira Knights: Boys From Brazil to end proceedings. The blend of martial-arts, dancing and uplifting pumping live music creates a show that is unmissable and breathtaking in its feats of stunning acrobatics and muscular energy. Deserving and more than capable of taking their show on a world tour or similar, Capoeria Knights are the jewel in The World Festival’s already studded crown.

As a finale, all the acts got up on stage together, in a routine that summed up and demonstrated that The World Festival is aptly-named. Seeing dancers from Sri Lanka gleefully moving to music from Brazil as Malawian artistes danced together with colourfully-attired Cuban singers was an emotionally uplifting sight that brought shivers to my spine, even more so when the entire troupe spilled out of the venue to startle, bemuse and ultimately entertain unwitting passers by on Shandwick Place.

I love the World Festival: it encapsulates everything that is wonderful about the Fringe – and the world itself, given freedom to express itself and its many and varied cultures.

My advice? Go to all the shows. Go to some of them twice. Just make sure you go.