Edinburgh Festival Insider - Best Newcomer 2009

The Fringe always draws hopeful and enthusiastic performers and groups from around the world to its gigantic stage. Helping to keep it fresh and constantly-evolving, these first-timers often provide some unexpected delights amongst the more established acts that return year after year.

The nominations for the Edinburgh Festival Insider Best Newcomer Award 2009 are:

• Sambor Dudzinski's The Time(less) Machine. Polish 'art-warrior' and multi-talented performance artist Dudzinski unveiled his marvellously original and captivating vision at Edinburgh for the first time this year.
• TBA Collaborative with The Grind Show. A young and enthusiastic group of students and alumni from Washington, TBA Collaborative brought their dark and alluring Grind Show for its Fringe debut.
• Princess Cabaret. Some of the princesses had never left Oz before, let alone brought an original and buzz-creating sketch show to the biggest stage in the world.
• Xavier Mortimer's The Shadow Orchestra. A true hidden gem amongst Universal Arts' excellent programme, Mortimer's Fringe debut was spellbinding, magical and hugely enjoyable.
• The Paper Cinema with The Lost World. A beautiful and charming visit from The Paper Cinema with their unique and lovingly-recreated interpretation of Conan Doyle's classic.

And the winner is...

TBA Collaborative with The Grind Show

For their infectious enthusiasm, for their dark and cleverly-realised vision, for their patronage of fellow performers throughout their visit, for their encapsulation of the spirit of the Fringe - and most of all for the fact they deserve all the encouragement they need to return here again next year with another show which will no doubt surpass the already wonderful Grind Show: TBA Collaborative, here's your:

Edinburgh Festival Insider - Theatre Award 2009

As ever, the Fringe has been a fertile showcase for new and established drama groups to present some quite stunning shows. Theatre is the genre that is perhaps closest to the roots of the Fringe's beginnings, so it is heartening to see so many companies keeping that spirit alive.

This year, the nominations for the Edinburgh Festival Insider Theatre Award 2009 are:

• The Grind Show by TBA Collaborative. A unique vision and excellent performances from a young and talented group of performers, The Grind Show was captivating and beautifully staged.
• Ernest and The Pale Moon by Les Enfants Terribles / Pins & Needles Productions. A deliciously dark tale of gothic horror performed with panache and style by a multi-talented cast.
• The Overcoat by Gecko Theatre. A nigh-on perfectly realised interpretation of Gogol's short story, staged with wonderful imagination and delivered through extremely accomplished performances and stagecraft.
• Stitches by Claire Urwin. Splendid student theatre with an excellent script and some stunning performances from its young and talented cast.
• Private Peaceful by Scamp Theatre. A poignant and beautifully acted study of brotherly love and the horror of war.

And the winner is...

The Overcoat by Gecko Theatre

Even after having let this sink in and compared to the other productions in the shortlist, Gecko Theatre's production still dazzles. Beautiful sets, stunning lighting, original direction and performances that were absolutely marvellous: The Overcoat was greater than the sum of its already splendid parts and delivered a production that I would comfortably and confidently call a triumph.

Gecko Theatre, here is your well-deserved:

Review: The Grind Show ****

As a photographer, I have a leaning towards shows with a strong visual presence and style. There are times during The Grind Show - when the sharply-defined lighting freezes the action - that the tableaux presented by TBA Collaborative resemble panels from a graphic novel. Further parallels exist, particularly with some of the visual metaphors used - such as the show's eerily damaged ringmaster being a crippled Uncle Sam figure; or the knife-throwing twin sisters being depersonalised via the use of carnival masks.

Indeed, the plot and theme of The Grind Show could be lifted from a tale by Neil Gaiman or the like, with its use of strong, dark themes and metaphors to examine and comment on the nature of individuality, fear and obsession. The carnival sideshow performers, well portrayed by a gifted young cast, are trapped: externally, doomed to repeat their own particular acts every day; and equally by their own idiosyncracies and internal demons.

A child is thrown into this grotesque troupe, forced to discover their own act and thus become as absorbed and ensnared as the rest. Through their journey, we see each of the turns, presented in surreal fashion with some imaginative stagecraft and direction. Thanks to its lighting and wardrobe choices, the show also has a washed-out, monochromatic feel, which adds to its nightmarish atmosphere and sinister mood.

I had the advantage of reading the show's synopsis on TBA Collaborative's website but I'm not sure if the show came with a programme detailing the same. Without that, some of the plotting and themes may have been a touch oblique, though that is in part due to the show's one-hour length and a common issue with many Fringe theatre productions.

That aside, The Grind Show was a darkly beautiful and disturbingly eerie piece that successfully seared some of its unique style and vision into a deep, hidden place within my mind. TBA Collaborative should be commended for bringing such an atmospheric and unique show to the Fringe - give them your support and they should hopefully become regulars here.

The Grind Show runs until August 31st (not 17th) at C Venues. £8.50 (£7.50 concession)

Highlight #7 - The Grind Show

In a way, The Grind Show was born here. Founder members of the TBA Collaborative, filled with a desire to create original, compelling drama, visited the Edinburgh Fringe in 2007. They left, inspired by what they had seen and went home to work on creating The Grind Show, a startling and innovative piece of contemporary physical theatre which receives its world premiere at this year's Edinburgh Fringe.

Featuring a driven and motivated ensemble of current and postgraduate students from the University of Washington, The Grind Show takes place on the peripherary of a strange, freakish circus, amongst its constantly 'grinding' sideshow acts. An innocent child adrift finds himself in the midst of this surreal, nightmarish troupe and is forced to make a decision that will impact the rest of his life.

Physical and visually arresting, The Grind Show takes its cues from a variety of commendable inpirational sources, with the spirits of Tim Burton, David Lynch and Neil Gaiman watching from the ringside. However, it is to TBA Collaborative's credit that their show looks unmistakably their own and promises to be a uniquely memorable experience that encapsulates the true feeling of Fringe theatre.

In a programme that's increasingly becoming full of big-name comedy acts and easy crowd-pullers, it's reassuring to know that there are groups like TBA Collaborative with a vision and passion that is driven by artistic expression. For that alone, they deserve your attention - the fact they are bringing a work as original and interesting as The Grind Show is almost a bonus.

So - what circus act would you perform for eternity?

The Grind Show runs from 5th to 31st August (not 17th) at the C Venues, Chambers Street, various prices from £7.50.

Review to follow on 14th August.