Edinburgh Festival Insider - Comedy Award 2009

Although comedy is not my favourite genre, I've seen a smattering of shows that fall into that camp. And whilst an award from someone that doesn't claim to be an expert in the field may not amount to a hill of beans, there are some shows which certainly deserve special mention.

So, here is the inaugural Edinburgh Festival Insider Comedy Award 2009 - and the nominees are, in no particular order:

• Frisky & Mannish's School of Pop. This show has caused a sensation in its first ever visit to the Fringe. Hilarious spoof pop songs which had me laughing so hard I was grateful for the image stabilisation on my camera and a pair of stars in the making.
• Princess Cabaret. Everyone's favourite tweeting Disney Princesses treated us to a show which lived up to the hype and provided some cleverly-written sketch-based comedy that saw Snow White and the rest descending into some pretty risque territory.
• The Scottish Falsetto Sock Puppet Theatre Goes To Hollywood. Intentionally shambolic, utterly chaotic and more laughs in 60 minutes than two socks have the right to generate.
• Shut Up, Play! For its uniquely Japanese lunacy and inspired nonsense, Original Tempo was a delight from beginning to end and had moments of absolute hilarity.
• Chris Cox: Mind Over Patter Mind-reading mentalism with a large dose of funny lines and self-effacing asides, Cox - like the Princesses - predicted how useful Twitter would be in generating interest in his great and mind-boggling show.

And the winner is....

The Scottish Falsetto Sock Puppet Theatre Goes To Hollywood!

For consistent laughs and boundless energy, Kev F Sutherland and his socks are this year's winners for speeding through a fast-paced hour of sketches, spoofs, ad-libs and songs that had me laughing from the moment the socks appeared until Sutherland emerged in his kilt at the very end. Both hilarious and extremely clever, his excellent show deserves not only this award but sell-out audiences for every run to come.

So, socks, take a bow:

Review: Shut Up, Play! ****

As a Far East-ophile (sic), I was slightly disappointed 2008's InvAsian splinter festival wasn't back at this year's Fringe. Whilst Universal Arts and Venue 150 have provided a few Singaporean shows, there's been very little in the way of oriental delights on offer in Edinburgh in 2009.

Original Tempo go a long way towards addressing this with the madcap mayhem which is Shut Up, Play! - an hour of bonkers physical comedy and music which contains moments of pure genius and channels the spirit of perennial festival faves Gamarjobat with its lunacy and charm.

A loose conceit of a 'girl in the book' underpins the show, but this is largely irrelevant as the talented troupe dash around stage, making music from anything they can find - such as bowls of water, television sets or pots of noodles. As in Xavier Mortimer's Shadow Orchestra, there are some clever moments of projected images; and as with Sambor Dudzinksi's Time(less) Machine, Original Tempo also create a unique composition using sampled loops and audience participation.

It's always fascinating to observe such cultural threads and themes emerge at the Fringe, whether by accident or design, but it is to Original Tempo's credit that their show shines through on its own merit, being an utterly charming and chaotic slice of Japanese comedy that is very hard to resist.

Shut Up, Play! runs until August 31st at Sweet ECA. £8.50 (£7.50 concession)

We shall remember them

Some acts over the past few years have defined the Edinburgh Festival Fringe for me, and it is with a hint of sadness that I present this short roll-call of absentees from 2009's line up:

• The Terrible Infants - I had high hopes for their return after last year's engaging and imaginative run (and they were on at the Udderbelly in London's South Bank earlier this month). But alas, their Roald Dahl-style morality tales will not be gracing Edinburgh this year. However, their company does appear to have a hand in a production running at the Pleasance - Ernest and the Pale Moon - so fingers crossed that contains a little pinch of Terrible Infant magic.
• Gamarjobat - This one hurts. An Edinburgh Festival Fringe without these two madcap and energetic Japanese mime artists is hard to comprehend. Hopefully they're just taking a year off from Edinburgh and will be back, but the place will be a little less colourful without them. Hopefully Shut Up, Play! will help fill some of the lunatic Asian hole Gamarjobat will leave.
• Drum Cat - say no more

However, don't get me wrong - I'm sure this year will be just as exciting, vibrant and vital as those previous. I'm actually excited to see what 2009's undiscovered delights turn out to be...