Showing posts with label festival. Show all posts
Showing posts with label festival. Show all posts

Sunday, August 9, 2009

It didn't rain on our parade

Ever since I was a nipper, the Edinburgh Festival Cavalcade has proudly paraded along Princes Street, Edinburgh's main thoroughfare.

This year, thanks to the controversial tram-works ripping up the city centre, it took place for the first time in the slightly less central but equally impressive Holyrood Park.

As well as the change of venue, a couple of other things were threatening to dampen this event: one, literally, as the sky was black and it poured for 10 minutes shortly before the cavalcade was due to start. Also, it was reported that this year's parade was going to be shorter, with less floats and acts as in previous years.

We needn't have worried. This year's cavalcade seemed to be as big and bold as ever, and was such a well-attended success that I wouldn't be surprised if it ends up permanently based here in years to come. The sun even came out (and not just the one on legs pictured above).

It was led off by the traditional ride-past of over 150 motorbikes, filling the air with fumes and engine noise, before the entire cast of the Edinburgh Military Tattoo marched past. Then, a mixture of Fringe performers and local community groups followed, each trying to outdo each other in terms of decoration, colour and music. The Ladyboys of Bangkok, another Edinburgh Festival fixture, as ever proved hard to beat on that score, but some of the community floats were also excellent.

Local pipe and marching bands from the Lothians then paraded along the road towards Meadowbank stadium where the parade ended this year, Holyrood Park and Arthur's Seat providing an impressive backdrop to proceedings whichever side of the road you watched it from.

Another predicted blow to the Fringe was the lack of Fringe Sunday this year, due to lack of sponsorship. To somewhat make up for that, a kind of mini Fringe Sunday took place during and after the cavalcade in the park and car park outside Holyrood Palace. Fringe performers such as the Tao Drummers turned up, and street entertainers welcomed the chance to pitch up somewhere different from the Royal Mile for a change.

Overall, a great success in a well-suited new venue. In fact, it may actually be preferable to Princes Street: for once, I'm possibly even grateful for the tram-works.

Photo of the day - Dr Faustus


Three of the Sins from Dr Faustus by Zig-Zag Creations.

Want to feature here? Get in touch.

Thursday, August 6, 2009

Highlight #15 - Camille O'Sullivan: The Dark Angel

Arguably, I’ve saved the best til last. Over the past 2 years, Camille O’Sullivan has seductively slipped her way into the upper reaches of the Edinburgh Fringe hierarchy, first appearing at the Spiegeltent in 2007, then with a sell-out run at the Queen’s Hall in 2008.

This year, Camille brings her Dark Angel show back to the larger and even higher profile venue of the Assembly Hall, where she will once again bewitch, beguile and bemuse with her heady and addictive blend of talent and charm.

Although perfectly able to pick up the mantle of Piaf, Dietrich and other stellar cabaret chanteuses, Irish-French Camille has a style all of her own and a voice capable of whispering gently in your ear one minute, then ripping your heart out through your ribcage the next.

Her set consists of classics of the genre, with a heavy leaning towards the canon of Jacques Brel, Nick Cave and Tom Waits. Recently, she has also begun to introduce her take on more modern and mainstream gems by Bowie and Radiohead, meaning a Camille show moves gracefully through a set studded with some gems from the last 40 years.

Backed by an excellent live band and with a fantastic line in between-song banter and audience rapport, by the end of the evening Camille will have you in the palm of her hand (or beneath her sparkly red stilettos). It will also be an evening in which you will have been moved, entertained, and left stunned by the range and talent of one of the Fringe’s absolute and well-deserved stars.

Camille O’Sullivan: The Dark Angel runs from 6th to 31st August (not Tuesdays) at the Assembly Hall. Price £15.

Tuesday, August 4, 2009

Edinburgh takes a deep breath...

It's almost upon us. The wonderul, colourful craziness that is the Edinburgh Festival Fringe and all it associated frantic magic really kicks off tomorrow, with many shows doing preview runs on Wednesday and Thursday before it all officially starts on Friday.

Since the vibrant razzmatazz of the Jazz & Blues Festival events at the weekend, the city is taking a brief pause to itself before rushing headlong into the thick of things.

But don't be fooled into thinking nothing's afoot. Performers have been steadily arriving using any means of transport available to them; tech checks have been going on long into the early hours; venues are being hastily assembled out of MDF, glitter and blu-tac - there's a mountain of activity going on in preparation for hundreds of curtains about to rise.

But for now, relax. Take a deep breath, count to 10, visualise your special place. For, from tomorrow, there's no rest til September...

Thursday, July 30, 2009

Highlight #7 - The Grind Show

In a way, The Grind Show was born here. Founder members of the TBA Collaborative, filled with a desire to create original, compelling drama, visited the Edinburgh Fringe in 2007. They left, inspired by what they had seen and went home to work on creating The Grind Show, a startling and innovative piece of contemporary physical theatre which receives its world premiere at this year's Edinburgh Fringe.

Featuring a driven and motivated ensemble of current and postgraduate students from the University of Washington, The Grind Show takes place on the peripherary of a strange, freakish circus, amongst its constantly 'grinding' sideshow acts. An innocent child adrift finds himself in the midst of this surreal, nightmarish troupe and is forced to make a decision that will impact the rest of his life.

Physical and visually arresting, The Grind Show takes its cues from a variety of commendable inpirational sources, with the spirits of Tim Burton, David Lynch and Neil Gaiman watching from the ringside. However, it is to TBA Collaborative's credit that their show looks unmistakably their own and promises to be a uniquely memorable experience that encapsulates the true feeling of Fringe theatre.

In a programme that's increasingly becoming full of big-name comedy acts and easy crowd-pullers, it's reassuring to know that there are groups like TBA Collaborative with a vision and passion that is driven by artistic expression. For that alone, they deserve your attention - the fact they are bringing a work as original and interesting as The Grind Show is almost a bonus.

So - what circus act would you perform for eternity?

The Grind Show runs from 5th to 31st August (not 17th) at the C Venues, Chambers Street, various prices from £7.50.

Review to follow on 14th August.

Sunday, July 26, 2009

Plans for the Festival

Not long now.

Once it all begins, this blog will feature the following on a daily basis:
  • A photo of the day - either from a performance shoot; or from my daily photographic expedition to the Royal Mile (other shots will be on my Flickr site or my photography website)
  • Breaking news / gossip / word-of-mouth tips etc
  • And from the 8th to the 31st inclusive, reviews of the shows I'll be seeing
Bookmark or subscribe now and join me in another wild, unpredicatble and fantastic Festival experience.

Bring an umbrella.

Friday, July 24, 2009

Doing the Edinburgh Festival for free (or cheaply, at least)

Edinburgh during the Festival can be an expensive affair. Pubs & restuarants bump up their prices, accomodation rates tend to get hiked up through the hotel roof and the cost of show tickets seems to rise every year.

I'm lucky, I live here (and no, I don't have a spare room, sorry) - but it still costs me something approaching a return first-class air fare to Sydney every year, and that's just for the bloody taxis.

However, it is possible to do things on a budget and still sample just about everything Edinburgh has to offer during the Festival.

Here's how:

The Shows
  • The Free Festival. Organised by Laughing Horse, this splinter event has grown from small beginnings to a substantial and well-respected part of the overall Fringe. With a heavy comedy bias, this year's programme has over 200 shows taking place in 14 venues across the city centre. As it has grown in size, it has also grown in quality, proving the old adage of 'you get what you pay for' isn't always true. Shows are run on a first-come first-served non-ticketed basis, and the performers will pass round a bucket for voluntary donations after each show, but the Free Festival does do what it claims to - provide a varied and cheap alternative to the costlier ticketed shows of its official Fringe big brother.
  • 2-for-1 weekend / preview shows / Half-Price Hut. If you do want to see some 'official' shows, you still have some options available to do this without incurring massive cost. Every year, on the first weekend of the Fringe (9 and 10 August this year), many shows offer two tickets for the price of one - although understandably this proves extremely popular and participating shows do sell out quickly. Similarly, many performers run preview shows before the Fringe officially starts (previews are on 5 and 6 August) - these tend to be substantially lower in cost and sometimes even free (especially if you pitch up at the venue and ask). Also, after some doubt as to its return this year, the Half-Price Hut is back. This is a temporary box-office at the foot of The Mound which offers half-price tickets for many shows if bought on the same day of performance. So, if you don't have a rigid schedule, it's worth pitching up here on a daily basis to see what's on offer.
  • Friends of the Fringe. This one's only worth it if you're interested in seeing 2-3 or more participating shows. For a one-off fee of £18, you are entitled to 2-for-1 tickets for 100s of shows in this scheme, meaning you can save substantial amounts. It's worth checking the shows you're interested in are taking part first though.
  • Fringe on the Royal Mile. Mentioned elsewhere in this blog, the Royal Mile is a fantastic outdoor space in which to experience free snippets of shows (performed to a schedule on three small stages) and to witness some top-quality street entertainment. As with the Free Festival, the street performers will pass round a hat after their show (some are well worth a couple of quid), but the performances on the stages are free, and as well as giving you a glimpse of a show that might be worth catching, are a good way of seeing half-a-dozen acts for nothing. Due to the noise and bustle going on, the acts taking part are nearly always musical or dance troupes, but you're still bound to see something you like.

Accomodation

Many hotels, serviced apartments and bed & breakfasts are fully-booked weeks in advance of the Festival beginning, though a few may still have rooms available (though likely at premium rates).

Many residents let out rooms or entire flats during August (it's a well-known local moneyspinner) - the official Fringe website's message board is a good place to look here, as is Gumtree. Do make use of Google Maps or similar to check out the location of any accomodation you're interested in, as there is little point paying good money for a room only to find it's a (expensive) taxi journey into central Edinburgh where the majority of things are going on.

Perhaps your best bet for budget accomodation is the selection of stylish, funky and artsy backpackers' hostels based in the city centre. Hostelbookers have a great selection here, and whilst they may not offer the most peaceful place to rest your head if you're after an early night, they will provide extremely cheap accomodation without sacrificing comfort or quality. Additionally, your fellow guests will all be there for the same reason, and the ad-hoc parties, jams and late-night soirees that spring up in these venues can be almost as entertaining as going to some shows themselves. If you're cool, hip and up for a laugh (or even just like to think you are), these places are for you.

Food & drink

As well as being Festival City, Edinburgh is also Scotland's capital and a financial & political centre to boot. Due to this, the cost of living is comparable to London and other major European capitals. However, it also has the advantage of meaning Edinburgh is well-served by the usual chains providing decent food (Pizza Express, Pret A Manger, etc) whose prices remain the same all year round.

Additionally, Edinburgh is chock-full of bars and restuarants competing for your business. Although some do raise prices during the Festival, you'll find others will have special deals and offers running to entice you through their doors, particularly if you choose to dine early.

You also have temporary food vendors springing up around the main venues such as the Pleasance and the Udderbelly. A particular favourite of mine is the Wannaburger stand that has been in Bristo Square for the last few Festivals, offering high quality grub for only a few quid (I always go for the beanburgers in a vague attempt to convince myself they're healthy). It's to their credit that, despite often having a captive market, Wannaburger and others are competitively priced and do provide a good option for cheap food on the go.

Drink is another matter however. Apart from buying a carry-out from the supermarket and sitting in Princes Street Gardens, there are few options for cheap alcohol in the city. Some bars will run happy hours, and the likes of The Standing Order on George Street and the Rose Street Brewery provide cheap drinks, but most bars and venues know they're onto a cash cow during the Festival and prices are set accordingly.

No such thing as a 'free' Festival

Unless you're a tee-totaller that doesn't mind sleeping in a bus shelter, you will have to spend some money whilst you're here. But, contrary to some doubters and naysayers, neither will you have to sell an organ to finance your trip - follow some of the pointers above and you can still have a blast without breaking the bank.

Thursday, July 16, 2009

Other sites to visit

Believe it or not, there are other sites covering the Edinburgh Festival and the Fringe...
  • The Official Fringe Website - search for shows, buy tickets, read news, browse the forums. As an added bonus, the ticketing system is working this year...
  • The Fringe Guru - an independent site covering all things Fringey. Fringe Guru is what this site wants to be when it grows up.
  • The Fringe Thing - visit Prof Ed Hegg and read about his ovological experiments (and even suggest new ones for him to try).
  • Fringe Review - covering fringe theatre across the UK, its Edinburgh coverage has just begun.
  • I Love Edinburgh - a blog covering all things Edinburgh - expect many Festival-related entries soon.
  • Project Capture - a unique Festival photo crowdsourcing initiative

Any others you would recommend?

Wednesday, July 15, 2009

First time in Edinburgh? Read this...

The Edinburgh Festival is a wonderful explosion of culture, colour and crowds over the city during August. You may be forgiven for thinking all you have to do is turn up, tune in and enjoy yourself. Whilst that is true to an extent, if you've never been to Edinburgh before - or have, but not for a few years - here are a few tips and hints from a resident to help ease your experience:

  • Edinburgh is a hilly city. You will walk uphill to get to the venue; and you will walk uphill to get back again. Some of the hills (Arthur's Seat, Calton Hill) provide spectacular views and escapes from the crowds, but most of them (The Mound, Dundas Street, et al) merely provide you with a hill. So either come prepared with sensible footwear, or rely on public transport to get you where you need to be (though see point below).

  • Edinburgh is a coastal city, with a rather unique weather system. You will notice this if you go up one of the nice hills and look to the north, where you'll see the Firth of Forth shimmering its silvery way towards the North Sea. Unless the haar has descended, that fog-like gift from said North Sea so beloved of Edinburgh residents, covering all in a blanket of cold, damp, impenetrable greyness. Cold, damp, impenetrable greyness that only the rain rapidly approaching from the west will disperse. So be warned, whilst I wish for 31 days of unbroken sunshine as much as anyone, come suitably armed or be prepared to pay astronomical prices for plastic tartan pac-a-macs.

  • Edinburgh is in the throes of a massive civic 'improvement' scheme, introducing a modern cutting-edge tram network to the city. Or so we're told. In reality, this has reduced large swathes of our roads into building sites and resulted in traffic congestion and travel delays. Fancy a relaxing stroll along Princes Street, gazing up at the splendour of Edinburgh Castle? Too bad, that side of the street's closed. Traffic always gets a bit challenged during Festival time, and I shudder to think how things will turn out this year.

  • Edinburgh has a fantastic public transport system, and hundreds of reliable and friendly bus and taxi drivers (seriously, I know a few). However, the combination of Festival over-population and the tramworks may strain the patience of even the most saintly, so please be kind to any you encounter. If indeed you manage to catch one at all - taxis in particular do become quite a rare species during Festival time.

  • Not everyone in Edinburgh loves the Festival. Hard to believe, I know, but you will likely come across at least three distinct types of anti-festival groups during your visit:
    1. Firstly, there are those that have to go to work. These souls deserve your sympathy, as most of them would dearly love to be swanning around from show to show and drinking in the open air just like you. The looks of sheer hatred they shoot you may persuade you otherwise, but trust me, it's true: I used to be one of them.
    2. Secondly, there are those dear old Edinburgh ladies, who wish for nothing more than to walk slowly from one end of George Street to the other carrying large bags of shopping, muttering about how things used to be better before "all this festival nonsense" started. Best avoided, or at least carefully overtaken.
    3. Lastly, and this is semi-serious, the young and disaffected. Now, Edinburgh is by and large a safe city, but feral packs of youths have been spotted prowling the streets before. They tend to keep away from the main venues, but if you do find yourself close to any, keep your head down and don't say things like "Felicity, what did you make of that emotionally effervescent theatrical tour-de-force we just had the good fortune to witness?" within their earshot. Parts of Trainspotting are based on fact, you know.

  • Edinburgh is full of pubs. Surely a good thing? Yes, and no. On some streets, every second establishment is a pub (and the ones in between are off-licences). And opening hours are extended so much during the Festival, it is possible to drink 24/7 if you so wish. If you are easiliy tempted, you could easily find yourself drunk by breakfast, hungover by lunchtime and refused entry into a show or two for looking dazed and confused by teatime. Remember - all things in moderation....

That's it. Keep the above in mind and you'll be sure to have a fantastic time. I for one love the whole mad ensemble, and I'm looking forward to welcoming you here. Remember to say hello if you see me...

Tuesday, July 14, 2009

Highlight # 3 - Capoeira Knights - The Boys From Brazil

The Capoeira Knights were one of the standout acts at The World Festival last year, bringing their mesmerising martial-art inspired acrobatics and infectious samba rhythms to the normally sedate and peaceful St George's West church venue.

Their success has been rewarded this year with a return visit and a bumping up the bill to a later slot than before. Whether this is in recognition of the Boys' glistening muscle-rippling appeal; or as a result of this show's various 5-star reviews, The World Festival are definitely on to a winner by inviting them back.

This is one of those shows that should appeal to most, whether you prefer your heart to be pounding to some great live world music, or in your mouth as you witness jaw-dropping feats of skill.

Or, in the case of most men in the audience, sinking to your feet as you realise your muscles look more like pillowcases full of jelly in comparison.

Photography offer

I spend almost as much time photographing shows and performers as I do watching them. I tend to get some of my best shots at this time of year, thanks to the willing nature and attitude of most acts.

As a way of saying thanks, I always offer a few free slots to performers and acts at this time of year. I've got a rapidly-filling schedule of appointments, but still a few windows available.

So, if you're a performer looking for test shots, after some stage photography for your website or publicity material, or just love having your photo taken, get in touch below:

www.fourtheye.co.uk
info@fourtheye.co.uk

Saturday, July 11, 2009

Tickets

All my Fringe tickets arrived this morning, which was a relief. Rather obssessively, I have split and sorted them into day-by-day order, together with my tickets for the Book Festival and the Edinburgh International Festival.

Considering the number of tickets and their not insignificant cost, it was a bit stressful waiting for them to arrive via normal post. Next year, I will definitely order and pick up from the box office.

But, for this year, they're all here and it now seems one step closer.

Bring it on...

Tuesday, July 7, 2009

Venues of the year

It is a running joke amongst Edinburgh residents that any empty space capable of holding two people or more has potential to become a venue during the Fringe.

This is often true, and I seem to recall shows taking place in a telephone box and the back of a car in the past.

This year is no different, and some of the most orginal venues I have so far spotted include:
  • Two shows taking place on buses - The Comedy Bus, a customised silver double-decker that takes participants on a comedy tour of Edinburgh (including thoughtfully-scheduled stop-off points at 4 bars around the city). And Miss High Leg Kick's Fashion Bus, a free show taking place in an around a London bus stationed in the Grassmarket, from which "fabulous fashionistas emerge" at 6.30pm every evening. Should be worth hanging around there with a camera, if nothing else...
  • At Home With Holly does what it says on the tin, being a one-woman comedy show taking place in a real flat in Edinburgh's Albany Street. I hope she's done the cleaning...
  • After last year's sell-out shows, Faulty Towers The Dining Experience is back, with diners in B'Est Restuarant being treated to the pleasures of being served by Manuel, Basil, Cybil and the rest. Good value, as the ticket price includes a three-course meal. Obviously, just don't mention the war.
  • And in what is a perhaps a worrying trend this year, two shows are set in public conveniences. Whilst some locals may say these places provide all-year round entertainment and spectacle, The Assassination of Paris Hilton and Waiting For Godot ("bringing Beckett to the bogs") take this one stage further, taking place in the ladies' toilet in the Assembly Rooms and the public lavatories of the St James' Centre respectively. I just hope, particularly for that latter show, they have reserved exclusive use...
  • But perhaps the most original of all is Soul Photography, A Virtual One-Man Show. This one doesn't even have a venue, as performance artist Mikhail Tank is planning on broadcasting himself over the internet (a registration fee of £5 applies) for one night on August 30th at 9pm. At the very least, it'll save on the taxi fare.

These perhaps raise the bar for Festivals to come. One thing's for sure, when the controversial Edinburgh trams finally arrive, someone will be performing a Fringe show onboard...

Shameless plug

I love the Edinburgh Festival and I love photography, so here's my annual plug / request for willing subjects:

http://www.edinburghfestivaljobs.com/jobs/app/job/228/free-portrait-promo-photography-at-keith-d/

Thursday, July 2, 2009

Top 5 reasons to visit the Edinburgh Festival

Everyone else is doing these lists, so I feel compelled to do the same. Rather than being a rundown of shows I'm interested in seeing (I'm doing that separately), this is instead a compendium of things you have to do to get the full-on Edinburgh Festival Fringe experience:

Queue up, at least once, for tickets at the Edinburgh Fringe box office in the High Street (ideally at peak times)

Unless you have a severe aversion to queuing, this is actually a good way to hear about those word-of-mouth shows, to swap tips with the people in front and behind you, to be entertained by performers who know they have a captive audience - perhaps you'll even be given free tickets to something. Queue with a positive attitude and it's actually quite good fun.

Spend at least two hours outside the purple upside-down cow at Bristo Square

As a local, I relish the chance to spend any time here and not be surrounded by skateboarders and winos, but this space tends to become the hub of the Fringe during August. Big-name shows take place inside the cow, and big-name celebrities hang around to be spotted. If the sun's out (or if it's at least not raining), this is a great place to have a drink, a bite to eat and to watch the kind of people you only over see at this time of year.

Why at least two hours? As the shows in the cow run to a regimented order, you'll very likely see the stars of a performance spill out and mingle with the crowds, which all adds to the mashup-style atmosphere.

Do the Book Festival

Even if you've never read a book in your life and don't attend any of the events, the Book Festival in Charlotte Square Gardens is a real oasis of calm (i.e. the polar opposite of Bristo Square above). If it's sunny, sitting outside sipping a glass of wine amongst a rather more sedate crowd can be a great chance to unwind and relax.

Plus, it's the only place this year with a Spiegeltent.

Join in

If you're watching a street performer at the Mound or on the Royal Mile and they pick you as a "willing" volunteer, don't shuffle your feet and / or run away. Swallow your pride and go for it. Sure, you'll probably spend half an hour of your life as a figure of fun with a bucket on your head, but just think of the Facebook photos your friends will gleefully post later.

Another top opportunity to become part of proceedings is to attend a show and sit on an aisle seat near the front. Performers don't have time to scan the assembled throng for a likely candidate: instead they'll grab the closest thing to hand. That could be you.

If you don't want to join in, do not sit there thinking "don't pick me, don't pick me". It is a little-known fact all performers possess an uncanny psychic ability to pick up on this...

Smile

Even when:

  • it's raining (it will rain: this is Edinburgh we're talking about)
  • you've turned up late for a show and been refused admission
  • you're standing at 3am waiting for a taxi that never arrives
  • the show you're watching makes your toes curl backwards so far they rip your socks
  • the queue for the bar is 15-deep and you have 3 minutes before your next show
  • your bodyclock has yet to readjust to the Edinburgh Fringe timezone

This is the Edinburgh Festival. Where else would you rather be?


Monday, June 29, 2009

Twittering the Festival

Around this time last year, I started scouring the web for any Edinburgh Festival and Fringe tidbits I could find. Using a combination of the usual suspects (the Fringe website's message boards, The Scotsman, etc) and some more "webby2.0" ones (saved Google news searches, RSS aggregators, etc), I was able to glean some nuggets from the mass of internet noise out there.

This year, although the same sources are there, it's different. I've been alerted to news about shows I may never have considered, arranged some photoshoots I'd probably never had the chance to do otherwise - heck, I've even won a limited edition EIF cloth bag.

And the source of this endless stream of topical and inside news?

Twitter.

Quite simply, the Edinburgh Festival and all its associated chums have embraced Twitter as the method of advertising and PR this year. Whether it's the "official" tweets of @EdinburghFringe, @edintfest and @TheFringeThing; the twitterings of venues such as @lyceumtheatre and @Universalarts; the performers like @falsettosocks and @tomfoolery09; or the review sites and blogs such as @FringeReview and @allthefestivals. Even the tweets from people excitedly discussing Edinburgh Festival and Fringe shows that turn up just because their posts mention the words.

The internet has long been a great leveller, allowing people to be able to get their message out there with the minimum costs and hassle, but the Twitter explosion seems to have stepped this up a gear. I'm finding it a fantastically rich source of all things Festival and am already experiencing that slight panic when I'm not able to check my feeds for anything longer than a couple of hours. So keep on tweeting, Festival twitterers, you're doing a great job.

Heck, even a link to this blog entry will probably end up there before the day's out.

Friday, June 26, 2009

What will it be...?

2 years ago, the show that everyone wanted to see was Fuerzabruta. Its Fringe programme entry was unremarkable, but soon the word-of-mouth spread (helped by the intensive flyering on the High Street). And it was fantastic: a memorable and unique experience that nearly everyone I spoke to saw and loved.

Last year, The Aluminum Show came close, containing that same surreal, joyous atmosphere that made you feel as though you were at a party on another planet.

So...what will it be this year?

A couple of contenders are Kataklo's return to the Fringe, after a captivating and beautiful sport-themed physical performance 3 years ago. Their Da Vinci-inspired show this year sounds as though it will be full of the same inspiring wonder as its predecessor.

The Tom Tom Crew could be another, with an explosive urban acrobatic act that at least looks as though it will have people snaking around the Udderbelly to get a glimpse of.

But I actually hope it's another under-the-radar show that unexpectedly appears - like Fuerzabruta before it - and brings everyone together in another magical experience that we will never forget.

The potential for that to happen is one of the many things which defines the Fringe for what it is. Unmissable.

Thursday, June 25, 2009

We shall remember them

Some acts over the past few years have defined the Edinburgh Festival Fringe for me, and it is with a hint of sadness that I present this short roll-call of absentees from 2009's line up:

  • The Terrible Infants - I had high hopes for their return after last year's engaging and imaginative run (and they were on at the Udderbelly in London's South Bank earlier this month). But alas, their Roald Dahl-style morality tales will not be gracing Edinburgh this year. However, their company does appear to have a hand in a production running at the Pleasance - Ernest and the Pale Moon - so fingers crossed that contains a little pinch of Terrible Infant magic.
  • Gamarjobat - This one hurts. An Edinburgh Festival Fringe without these two madcap and energetic Japanese mime artists is hard to comprehend. Hopefully they're just taking a year off from Edinburgh and will be back, but the place will be a little less colourful without them. Hopefully Shut Up, Play! will help fill some of the lunatic Asian hole Gamarjobat will leave.
  • Drum Cat - say no more

However, don't get me wrong - I'm sure this year will be just as exciting, vibrant and vital as those previous. I'm actually excited to see what 2009's undiscovered delights turn out to be...

Wednesday, June 24, 2009

Festival highlights #1

Two of the shows I'm looking forward to at this year's Edinburgh Festival:

Faust by National Theatre ‘Radu Stanca' Sibiu (link)

This performance is a perfect example of how eclectic this year's Edinburgh International Festival programme is. A large-scale promenade performance by a Romanian company, this promises to be an assault on the senses, especially given its setting in the Lowland Hall of the Ingliston Showground exhibition centre (a venue more often used for less cultural events such as local antique fairs).

The gallery and video on the EIF site give a good impression of what to expect: a visually stunning and immersive theatrical experience that looks like the kind of show the Fringe is more used to playing host to.

Patti Plinko & Her Boy (link)

Patti (and The Boy) were an undisputed highlight for me last year, and I'm still listening to her debut album almost a year later. The visual and aural appeal of a slender slip of a girl and a gas-masked guitarist producing bewitching and unsettling noir cabaret tunes is deliciously unique.

Patti is also acquaintances with the divine Camille O'Sullivan, and inhabits the same vaudeville space as Amanda Palmer (both appearing this year) - might there be a collaboration made in greasepaint heaven waiting for us at 2009's Edinburgh Fringe..?

Friday, June 19, 2009

2009 highlights

My intensive planning exercise is complete and has been endorsed by my erstwhile companion.

Highlights of 2009's Festival season I am particularly looking forward to include:
  • Kataklo
  • Amanda Palmer
  • Tao
  • Ranganika
  • Faust
  • Tiger Lillies
  • and, of course, Camille (so much so, I'm seeing her twice)

50 days and counting...